103 Royalty-Free Audio Tracks for "Using Hands"

I recorded myself scratching a rock with an oyster shell. This sound was recorded off ten mile creek in hume, ca using a hand held digital recorder and has only been trimmed using audacity. On september 4th 2014.

Me hitting my hand with my fist. Recorded indoors on the 05. 04. 2015 using a blue yeti microphone and audacity recording software.

Everybody has to try their hand at making fart noises. Recorded using a blue yeti microphone through audacity. No-post processing. As can probably be guessed, i made it using my mouth.

The final step before you make it into the duty free section. This is a recording of my hand luggage being screened at perth airport in december, 2019. The recording was done using a tascam dr-05x.

Using a handfull of small allen wrench extension sockets in my hand, i poured them into a sock and poured them back out into my hand with variations. Recorded with my tascam dr-60d and rode ntg-2 shotgun mic. Please comment.

G18c gbb pistol. Cock, single-shot then quick burst of automatic. Mono indoor recording using rode nt1.

Several simple clicking sounds to be used for flashlight sfx, or some other button. Made using three flashlights, a lamp, and a hand camera.

Someone farting in a dungeon, or possibly going to the bathroom in a very echo-y restroom. Made using the magical power of wet hand-farts.

Recording of a handheld hacksaw sawing at a piece of ply wood. Recorded inside a workshop using a zoom h6 recorder. Hard loud audio.

Unsure clapping sound for after a really bad performance. Used in our christmas 2014 episode (comedypodcast. Net). Recorded using garageband with a blue yeti microphone.

I recorded myself using a hand-grinder to grind come coffee beans, but it works for nearly any sort of grinding sound. Good for videos with machines and such.

This sound was made using a wet paper towel and wet towel together. I dropped the towel and squished the wet paper towels in my hand to get this effect. Edited in adobe audition.

Winding the hand crank of a 1909 tabletop victor ii phonograph and letting the turntable spin. Recorded with a tascam dp-24sd using two akg c 414 b-uls mics.

Shower in small bathroom recorded from doorway 5 feet away with shower curtain closed into a metal bathtub using a sterling audio st51 condenser mic. Hand used to vary water flow to simulate actual bathing.

This is a short bassline sequence, played with plectrum on a classica (nylon string) guitar. The sound was slightly muted using the hand to damp it. I used this sound for coursera course "audio processing for music applications". .

From a sample set made in 2003 using vinyl records on a motor-less (i. E. Hand driven) turntable. All sounds in this set are less than 1 sec long, so can be good for percussion hits, sfx, etc.

Soldiers training hand to hand combat. First a version without whistles, then the original version with the trainer's whistle. Extracted from a video (http://img. Youtube. Com/vi/rn0yavbz2yu/2. Jpg) by a us government agency, thus public domain. This sound is cc0/public domain but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Find many more military sounds in my military sounds pack, also located on freesound. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Work in progress speech synthesis speech, all drawn in photosounder. I've drawn the basic vocalisation by drawing horizontal lines in the 100 hz range using the white spray with the harmonics modifier, and modulated that using the dark spray to create the formants. I also added a couple of fricatives with the white spray, but it's incomplete.

It's a recording of three motorcycles passing by on a dirt (and wet) road. Recorded with hand-held zoom h2. Originally a 24-bit 96khz wav file. Normalized, truncated and converted to flac using audacity.

Recording of 2 dice being thrown onto a wooden table top. Audio consists of dice jangling against each other in hand before being released onto the table. Recorded in a bedroom using a zoom h6 recorder.

I can't remember what i used to make this splash sound but i probably just splashed my hand into the water of a pool. Recorded using a sony ic recorder and processed in fl studio's edison to remove sound.

Various momevents with my hand using small rocks and dirt. Brushing, grabbing, and dropping. Recording in the city is hard but i found a small canyon made of rocks in a park which helped block out traffic noise. Equipment: rode ntg3, zoom h5, izoptope rx4. Please post a link if you use this file. I'm excited to see what you can do with this!. @oscaraudiogeek to see photos.

It's a recording of a large passenger aeroplane with jet-engines passing by above my head. Recorded with hand-held zoom h2. Originally a 24-bit 96khz wav file. Normalized, truncated and converted to flac using audacity.

It's a recording of a large passenger aeroplane with jet-engines passing by above my head. Recorded with hand-held zoom h2. Originally a 24-bit 96khz wav file. Normalized, truncated and converted to flac using audacity.

Free drone. Recorded using homemade contact microphones. The os-xx samples consist of different recordings of fans, fridges, espressomachines, etc. The sounds are pretty raw, i added reverb, and cut some sub. I can, on request hand out the raw recordings. Enjoy.

By using a frequency filter by setting its oscillations in variable arrays on the piano preset - i was able to make most of these sounds. Also vocoding and feedbacks and feed throughs were happening. Then they were altered in audacity.

A large exercise ball being inflated using an accordion-style hand pump, which produces a whistling sound as air is forced into the nearly full rubber type ball. There is a reverb to the ringing of the air as it spreads in the ball.

This is a collection of whooshes that i created using melted sounds' whoosh reaktor patch, loaded with a collection of samples i recorded of a piece of sheet metal being rubbed with my hand. There are 35 different whooshes of fairly similar length in 01, and 29 varied whooshes in 02 which were hand-performed within the patch. Ps. If you like these, there is a second file with a wider variety of whooshes in a similar style here:. Http://www. Freesound. Org/people/framing_noise/sounds/256910/.

Picardy third example from Johann Sebastian Bach's cantata Ich habe genug, BWV 82 in G Minor at a cadence in the right-hand of a realised continuo part Created by Hyacinth (talk) 22:13, 13 July 2011 (UTC) using Sibelius 5.

A "wah wah" sound produced using the right hand in the bell of a horn. Makes a great comedic effect for "fail" or "you lose" situations. Notes: f4, e4, d#4. Recorded with a zoom h4n placed about a metre behind the bell.

I've recorded this with movies or games in mind. It's 1-minute long, can be easily looped by a simple crossfade. Check the pack for different "angles" and "views". Recorded with hand-held zoom h2's rear xy mics @ 96khz/24-bits. Converted to flac using audacity.

An ambient sort of sound done by doodling around in photosounder. Using the white spray with the harmonics on i drew two squiggly lines across the image horizontally, then flipped the image 90 degrees counter-clockwise, then with a wide dark brush i darkened some areas of the image to make the sound progress for a narrow band continuous noise to a full bandwidth squiggly kind of noise.

I wanted to record the sound of a keyring - or rather the keys strapped to it - make while in mid-air. There are the keys audible, recorded hitting the stack of hay (soft landing) and air blowign into the mics while the recordied has high velocity. I was throwing my recorer with my left hand, while simultaneously throwing my keyring with my right hand. The throw was vertical and the landing zone was a pile of hay. I thing there are some interesting sound here, i'm uploading it unedited to make it possible to cut out whatever you like. Recorded with a flying zoom h2 at 48khz/24-bit, edited, nomalized and converted to flac using audacity.

Field recording of the ocean surf at the outer banks, nc. Recorded approximately ten yards from the surf line on a zoom hand held recorder mounted under a beach umbrella. Record mode was 4 mic, using front and rear stereo mic pairs summed to stereo mix. Front (90 degree) mics facing ocean, (east). Rear (120 degree) mics facing the dunes, (west). Was a somewhat large surf day with shoulder to overhead sets. Enjoy ;)!.

It's a recording of a modern portable cash register printing a daily report. Then the paper tape is ripped of. There are funny frequency effects caused by the paper tape getting longer and resonating different frequencies. The sound have not beet piped through any processing. Recorded with a hand-held zoom h2's rear mics. Originally 96khz/24-bit wav. Edited and converted to flac using audacity.

It's a recording of a medium-sized dog's yelping. The dog also repeatedly sneezes from 1:15 on. The dog was longing for it's master, i did not do any harm to it otherwise than mercifully recording funny (in my opinion) sounds it made instead of saying words of support. I don't feel guilty. Recorded with a hand-held zoom h2 in 48khz/24-bit wav, edited, normalized and converted to flac using audacity.

This is the sound of trying to squeeze the last dregs of liquid hand soap from a 60-oz plastic container. It has no excuse for sounding this rude. Recorded opportunistically under non-ideal circumstances (including noise floor and clock ticking in background), using the built-in mic on an iphone 7. No processing was done except splicing multiple takes into one file, and transcoding to wav.

This is a recording of me, walking on the sidewalk of a road during heavy rain and wind. The cars passing me is driving through the water. I am using a røde blimp with deadcat in my hand, containing a sennheiser mkh 416 and a ambient ate 308 emesser in a ms-stereo setup. The recorder that i use is a zoom f6, but the ms-stereo decoding is done in pro tools in post. 32bit float 48khz.

This standup bass was sampled using a direct pickup as well as stereo overhead mics for some room ambience. Articulations include a normal pizzicato, or finger plucked note; a stopped note as performed with the finger; a stopped note performed bartok style; and some miscellaneous sound effects: a slide by the hand down the strings, a slap on the strings, and a knock on the wooden body of the bass. Do enjoy; feedback is welcome!.

J'ai produit ce son en tournant la roue avant d'un vieux vélo et en freinant doucement. Les patins vieux et secs grincent sur le métal de la roue. Enregistré dehors, devant la maison, avec un smartphone. I produced this sound on an old bicycle. I turn the front wheel by hand, and i smoothly brake at the same time. As the brake pads are old and dry, it gives this monstruous squeaking :d. It's recorded outdoors, using a smartphone.

A snippet of a crowd cheering a win after a football or sports match. Quite short, 20 seconds long and good quality. Recorded using tascam dr-05 inside my hooded jumper sleeve, still quite crisp sounding. This ones on the house, minimum effort required to capture this, and i'm sure many people would be able to capture the same thing with varying degrees of quality. ** thank you for checking my work out, if you're digging it, it would mean the world to me if you could drop foolboymedia a like on. Facebook. Com/foolboymedia. For whatever reason you're using my work, a like would be cool and would make you even cooler (sunshades emoji). Again, thanks for downloading my work and using it for your project! **.

Class 52 “western” diesel-hydraulic locomotive, d1015 “western champion”, powered by two maybach md655 units (each developing 1,350 bhp). Recorded at cardiff central railway station, south wales, uk, 27 october 2007. Background station noises are also recorded, “western champion” is heard with the maybachs idling whilst the locomotive is at rest. The change in engine pitch is when “western champion” accelerates away from the station pulling a train of eight coaches. Recorded, hand held, using built-in microphone to a pentax opti 750z digital camera.

I fluttered a plastic spatula in front of my tlm-103 in the studio. It's recorded at 96k, 32 bits, so you can stretch it or pitch it any way you want. If you want it to sound small you'll want to filter off the low end. On the other hand, you can probably get some fun gigantic effects by using just the bass, or even pitching it down. This was for the moth wing flutter in "molly moth saves christmas":http://kidpodtheater. Com/molly-moth-saves-christmas/.

A reduced amplitude version so that it doesnt blow your cotton socks off!. Quite short, 20 seconds long and good quality. Recorded using tascam dr-05 inside my hooded jumper sleeve, still quite crisp sounding. This ones on the house, minimum effort required to capture this, and i'm sure many people would be able to capture the same thing with varying degrees of quality. ** thank you for checking my work out, if you're digging it, it would mean the world to me if you could drop foolboymedia a like on. Facebook. Com/foolboymedia. If you want to use commercially, please get in touch or consider a donation to myself on foolboymedia@gmail. Com or donating to the freesound project. Thanks for stopping by!. Again, thanks for downloading my work and using it for your project! **.

A slow, fingerpicked chord progression on a 6-string guitar. I recorded this using my zoom h4n recorder and some external, stereo microphones. The microphones were the samson c0-2 and i had them mounted on two separatemicrophone stands: 1 was pointed at my left hand on the fret board to hopefully get the finger-squeaks, and the other microphone was pointed right above the sound-hole about 3 inches above the opening. Hope you enjoy this, and since it is creative commons, feel free to use this for projects, radio or podcasts. All i ask is that you use my real name, kevin boucher, in the credits. Enjoy.

Squeaking old office armchair. I have recorded this sound using my ipad 3, and software is dictaphone by alon software, version 1. 7. 6. Recording quality setting: normal. It was recorded at my office in mexico city, i was looking for a kind of similar sound at freesound. Org, and since i did not find anything related, i decided to make my own sound effect and my first upload to your web. I lowered the ipad in my hand under the chair and swayed back and forth three times to achieve the tone i considered efficient. Recorded: august 31, 2019.

This is audio of just about the entire ride of the powell-hyde cable car line in san francisco, recorded on 08/26/2015. Late evening trip through the city. I recorded this while i was on the steps on the right side of the car, holding the recorder in one hand and my life in the other! tourists talking, the operator ringing the bells and using the brake levers, etc. Recorded with a tascam dr-70d, built in mics. Free to use, but let me know where it ends up!.

I recorded the sound of my wooden, squeaky screen door opening and then bouncing shut with a couple bangs. You can hear the squeak of the hinges as the door is opened, then again as it starts to close. The stretching and retraction of the spring is slightly noticeable. The door bounces a couple times as it closes, and you can also hear the latch rattling at this time. Recorded with audacity on my computer using a cheap, hand-held piezo mic. (i recorded this for use in a theatrical play i was working on [ daddy's dyin'. . . Who's got the will? ] because i couldn't find anything suitable elsewhere. ).

It's recording of a passenger train's on duty. You can hear the train's motors, the wheels rumbling against the rails, the wagon connectors hitting each other, when the train stops also people chatting. Near the end of the recording the room acoustics change, because a woman entered the area between wagons where i was standing with my recorded pointed down. I was standing in a narrow passage, where two wagons were joined, between two closed slide-doors. She have opened those so the overall sound has radically changed and i decided to end the recording. Through the entire recording the unit is moving forward, decelerating, stopping, staring and accelerating again repeatedly as it travels stopping at several stations. The recording was done with a hand-held zoom h2. Rear mics used pointed to the ground. I was in the loudest area in the whole train. I was using "low" gain (h2 has three mic gain levels to choose from: l/m/h). Viewed and converted to flac using audacity, the file hasn't been altered in any other way. Originally recorded as a 96khz/24-bit stereo wav file.

This is a collection of "small room reverb" impulse responses that i sampled in a new england home known as butternut lodge, built and owned by actress bette davis back in 1940. It consists of all wooden rooms with many non-parallel surfaces, rugs and furniture and includes 3 round-shaped "silo" rooms! these rooms sound clean and do not have the irritating "ping" of many rectangular rooms. Short history/pictures of butternut (https://www. Airbnb. Com/rooms/24692769?source_impression_id=p3_1659215694_liuasyfxoceab5fn). Although these round shapes (and some of the other very small rooms) could potentially wreak havoc with phase at specific frequencies when summed to mono, i recorded this using the mid/side mic technique; therefore, the "side" channels fully cancel out, leaving a clean monaural reverb signal. These irs are stored as flac files. They can be used directly by any daw without conversion and have the added feature of being id3 tagged with a photo of the room each ir is taken from. After downloading, select view -> large icons in the folder to view the rooms. I sampled each room using a swept sine wave into a jbl flip 6 bluetooth speaker; recorded through a tascam tm-st1 m/s stereo microphone, feeding a tascam dr-07 recorder @ 24-bits 44. 1 khz and deconvolved using reaper. As of this post, i've been using these rooms for about 2 weeks. So far, i've found the "garage" to sound fantastic on drums! the drum sound! also, many of the other smaller rooms have a great effect on guitars, keys, and hand percussion. Each room varies in tone and brightness, so i've found that selecting/tuning the reverb send works well if approached like an eq. Increase the effect send until the instrument "feels" right (then perhaps back off slightly). A close-miked acoustic guitar, for instance, will take on a nice brightness and 3-d quality; not particularly reverberant, just big. At that point, i recommend applying any eq, compression, and bigger-sounding reverb effects. Hopefully you enjoy this. Please let me know how you like it and if you have any suggestions. Cheers!. Ken.